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Value differences in painting always cut in; color differences always go side by side. Laterally. Color differences can illustrate three dimensional form, but using color in terms of hue belongs more properly to painting than modelling with dark and light [as in sculpting] does.

— Kenneth Noland Conversation with Karen Wilkin (1986)

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More quotes by Kenneth Noland

You see things out of the corner of your mind or the corner of your eye that affect you just as strongly as things that you focus on, if not more so.

Conversation with Karen Wilkin (1986)

Picasso loved depicting. He didn't love painting. It's always more like filling in for Picasso. But you can see that Matisse loved the stuff. He loved making it thin, loved moving it around.

Conversation with Karen Wilkin (1986)

I knew what a circle could do. Both eyes focus on it. It stamps itself out, like a dot. This, in turn, causes one's vision to spread, as in a mandala in Tantric art.

Conversation with Karen Wilkin (1986)

We tend to discount a lot of meaning that goes on in life that's non-verbal. Color can convey a total range of mood and expression, of one's experience in life, without having to give it descriptive or literary qualities.

Color, Format and Abstract Art (1977)

There are two things that go on in art. There's getting to the essential material and a design that's inherent in the use of material, and also an essential level of expressiveness, a precise way of saying something rather than a complicated way.

Color, Format and Abstract Art (1977)

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Attribution

Quote text and notes from Wikiquote: Kenneth Noland (page history), available under CC BY-SA 4.0. Source quality and labels are our own summary of what Wikiquote records.