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[...] the soul feels, in contemplation of the landscape, a gentle being-carried, a movement as if by an invisible spirit, through which lingering on the charming details first gains its appeal.

— Adam Müller

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Source: Etwas über Landschaftsmalerei. in: Phöbus. Ein Journal für die Kunst. Edited by Heinrich von Kleist and Adam H. Müller, First Year, Fourth and Fifth Issue, Carl Gottlob Gärtner, Dresden April and May 1808, p. 73.
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Man is endowed with a thousandfold desires and infinite longings, and thus has been sent into a world that would be rich enough to grant even more than he can demand. Every glow of the heart finds its shadow, every thirst its wave, every longing its distance, and countless hidden, well-protected refuges are prepared for the soul that strives for safety and peace.

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A poem is a whole, complete 'made' world: a fiction is a half, incomplete, poorly made piece of world.

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When the world of the senses and the world of the spirit appear absolutely separated, then sin is at its peak: it has systematized and completed itself.

The reconciliation of science and art and of their noblest ideas with serious political life was the purpose of my larger works.

An artist who forgets the world over his work will never speak to the world through the work, may perhaps tear the work dead from himself, but will never be able to close it into its own free and necessary life.

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Quote text and notes from Wikiquote: Adam Müller (page history), available under CC BY-SA 4.0. Source quality and labels are our own summary of what Wikiquote records.