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He talked to her endlessly about his love of horizontals: how they, the great levels of sky and land in Lincolnshire, meant to him the eternality of the will, just as the bowed Norman arches of the church, repeating themselves, meant the dogged leaping forward of the persistent human soul, on and on, nobody knows where; in contradiction to the perpendicular lines and to the Gothic arch, which, he said, leapt up at heaven and touched the ecstasy and lost itself in the divine.

— D. H. Lawrence Sons and Lovers (1913)

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More quotes by D. H. Lawrence

Censors are dead men
set up to judge between life and death.
For no live, sunny man would be a censor,
he'd just laugh.

Censors (1929)

Ours is essentially a tragic age, so we refuse to take it tragically.

Lady Chatterley's Lover (1928)

Not I, not I, but the wind that blows through me!

Song of a Man who has Come Through (1917)

God is only a great imaginative experience.

Men fight for liberty, and win it with hard knocks. Their children, brought up easy, let it slip away again, poor fools. And their grandchildren are once more slaves.

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Quote text and notes from Wikiquote: D. H. Lawrence (page history), available under CC BY-SA 4.0. Source quality and labels are our own summary of what Wikiquote records.