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It is from.. ..Renaissance that individualism in painting dates; and I do not believe there is any use in looking in this direction if we desire to bring into being a fresh mural art, one that shall be at once popular, collective and contemporary.
— Fernand Léger
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The mural artist is concerned with bringing to life dead surfaces by the application of colour.
Yellow square, a red and blue avenue, an Eiffel tower with a camouflaged silhouette.. ..that would all be lit up at night, instead of fireworks.
Isn't it human to go beyond the limits, to grow beyond oneself, to strive toward freedom! The round is free. [quote on the Circus, 1950's]
Naturally, in order to find in this break [in the visual perception] with time-honored habits a basis for a new pictorial harmony and a plastic means of dealing with life and movement, there must be an artistic sensibility far in advance of the normal vision of the crowd.
..a yellow square, a red and blue avenue, an Eiffel tower with a camouflaged silhouette.. ..that would all be lit up at night, instead of fireworks. [a proposal to Trotsky of a 'polychrome Moscow', for the 1937 exhibition].
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