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..the bond is then shown to be a sort of identity of thought, of reaction to the endless small changes, taking place in one brother and immediately passed on to the other, because feeding an idea was always a double barrel, and was eventually enforced after the echo had passed between the two [brothers Van Gogh].
— Ossip Zadkine
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A cry of horror against the inhuman brutality of this act of tyranny.
At heart, I have always been a carpenter, who, instead of making a table or a door, was led to carve images in wood.
I repeatedly told myself that the life of Vincent van Gogh and his colossal oeuvre – are not an individual outburst but a special and rare occurrence based on the special bond between the two brothers, only broken by Vincent's suicide.
Because the scope of the sculptor's subject remains so limited, we must be careful to concentrate as much meaning or emotion as possible in the few forms that remain at our disposal. [c. 1960]
In my own researches and findings I have always insisted on plastic and sculptural values, and also on what I call a poetic climate. The object, whether it is a book, a bottle, or a human body, once it is visualized and expressed by means of clay, stone, or wood, ceases to be a document and becomes an animated object in stone, wood, or bronze and lives its independent life..
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