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Willem de Kooning, they say, lost his memory. He lost his worldly memory. He lost the names of the people, he lost their faces.. .This is one of the reasons he paints as a real painter.

— Karel Appel

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More quotes by Karel Appel

If the stroke of the brush is so important, it is because it expresses precisely what is not there.

Karel Appel, a gesture of colour (1992)

The only control that I excercize [in painting] is to not throw too much paint next to the canvas.

Karel Appel, a gesture of colour (1992)

My brush-strokes start in nothing and they end in nothing, and in-between you find the image.

Karel Appel – the complete sculptures (1990)

I am afraid of a new barbarism which is killing
man's freedom.

Karel Appel, a gesture of colour (1992)

Something appears midway between order and chaos, these forms, these expressions occupy a middle position.

Karel Appel, a gesture of colour (1992)

All Karel Appel quotes →

Attribution

Quote text and notes from Wikiquote: Karel Appel (page history), available under CC BY-SA 4.0. Source quality and labels are our own summary of what Wikiquote records.