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Paris, that great but compact cosmopolitan and imperial city, has a strong claim to be considered the cradle of street photography. The city helped form this genre of photography and, equally, photography contributed to the formation of the city, as Parisians saw first their buildings and then themselves reflected in the many photographic photographic portraits constructed in magazines and books.

— Julian Stallabrass

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More quotes by Julian Stallabrass

Governments, as we have seen, look to art as a social salve, and hope that socially interactive art will act as bandaging for the grave wounds continually prised open by capital.

Contemporary Art: A Very Short Introduction (2006)

The art market is regulated by dealers who control not only production but also consumption, vetting the suitability of buyers for particular works; the ‘who are you?’ question to buyers.

Art appears to stand outside this realm of rigid instrumentality, bureaucratized life, and its complementary mass culture. That it can do so is due to art’s peculiar economy, based on the manufacture of unique or rare artefacts, and its spurning of mechanical reproduction.

Contemporary Art: A Very Short Introduction (2006)

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Quote text and notes from Wikiquote: Julian Stallabrass (page history), available under CC BY-SA 4.0. Source quality and labels are our own summary of what Wikiquote records.