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There is a dreadful discrepancy between Michelangelo's works and the words put into the mouth of Charlton Heston, who represents him here, and this picture — which is mostly about a prolonged wrangle between the sculptor and Pope Julius II (Rex Harrison), who keeps sweeping into the Sistine Chapel and barking, "When will you make an end of it?" — isn't believable for an instant.

— Pauline Kael

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More quotes by Pauline Kael

If there is any test that can be applied to movies, it's that the good ones never make you feel virtuous.

Hooked (1989)

The action genre has always had a fascist potential, and it surfaces in this movie.

Is there something in druggy subjects that encourages directors to make imitation film noir? Film noir itself becomes an addiction.

Hooked (1989)

It's as if Brian de Palma were saying, "What is getting older if it isn't learning more ways that you're vulnerable?"

Movie Love (1991)

De Mille's bang-them-on-the-head-with-wild-orgies-and-imperilled-virginity style is at its ripest; the film is just about irresistible.

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Quote text and notes from Wikiquote: Pauline Kael (page history), available under CC BY-SA 4.0. Source quality and labels are our own summary of what Wikiquote records.