Dworkin, like Kate Millett, has turned a garish history of mental instability into feminist grand opera. Dworkin publicly boasts of her bizarre multiple rapes, assaults, beatings, breakdowns and tacky traumas, as if her inability to cope with life were the patriarchy’s fault rather than her own. She pretends to be a daring truth-teller but never mentions her most obvious problem: food.

— Camille Paglia Vamps and Tramps (1994)

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