To recreate the temple atmosphere on the urban stage, and thus to facilitate a new kind of seeing that would enable the spiritual revival of the dance.

On the revival of 'sadir' dance form (which till then was the forte of the devadasis) she said on the settings of the theater for her performances quoted in "Rukmini Devi Arundale, 1904-1986: A Visionary Architect of Indian Culture and the Performing Arts", page 12