More by James Alison
There is no wicked and numinous paternal 'they'. There are only brothers and sisters like ourselves: fragile receivers and mete-ers out of ambivalent and often fratricidal fraternity.
Faith Beyond Resentment: Fragments Catholic and Gay (2001)
Now, here is Jesus' point: he is not only the culmination of the project, but the project itself, God made brother, offering us to become siblings, but vulnerable to fratricide.
Faith Beyond Resentment: Fragments Catholic and Gay (2001)
In the face of those who have no voice, we must, above all, avoid being strong with the weak (cf. 1 Cor. 10:23-30).
Faith Beyond Resentment: Fragments Catholic and Gay (2001)
The only places in the gospels where the paternal voice of God appears independently of Jesus is precisely to indicate that it is to Jesus that we must listen, and that in him God is glorified.
Faith Beyond Resentment: Fragments Catholic and Gay (2001)
In one case as in the other, the question which gives away the sacrificial mentality underlying group belonging is the same: are you for us, or are you one of them? It is the question which reveals the impossibility of a cracking of heart, and thus the impossibility of Eucharist.
Faith Beyond Resentment: Fragments Catholic and Gay (2001)
All of Paul's preaching, all of his theology, is characterised by the process of the collapse of a certain sacred structure, and by the slow discovery of the perspective given by a new focus on Yahweh, the Pauline equivalent of Elijah's still, small voice.
Faith Beyond Resentment: Fragments Catholic and Gay (2001)
There is nothing harder than to be told that what we hold sacred is an idol. (64).
Faith Beyond Resentment: Fragments Catholic and Gay (2001)
The problem is that this 'being identified with the victim' can come to be used as an arm with which to club others. The victims become the group of the 'righteous just' in order to exclude the poor Pharisees, who are never in short supply as the butts of easy mockery.
Faith Beyond Resentment: Fragments Catholic and Gay (2001)
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