Skip to content

Zandile Tshabalala Quotes

b. 1999 South Africa

Zandile Tshabalala (born 1999) is a South African fine art painter.

South Africa
Painters

Random Zandile Tshabalala quote

17 quotes

I create a lot from a place of genuine love and I hope it shows in the gaze of my figures.

I believe that inspiration is everywhere, it is how you use it that matters the most

Paint is really forgiving so mistakes are never really mistakes you can always find a way to make it work with paints

The actual work begins in how you actually choose interpret and mesh everything up to create new meaning or resurface already existing meaning

I do believe that the youth has always been involved in addressing injustices and still are very much invested and passionate in change making

I can’t think of a better way to try to create than to create from a place of obsession and emotions

I think that art and protest is one way of addressing and attempting to combat racial injustices

I think musicians are honestly the most interesting creatives because they are able to ignite all of our human senses

My paintings are very reflective of me as an artist, and sometimes there are clues in there as to how I think and who I am

I think works that embrace us African women should continue to be made, there is always a need for more and different perspectives and experiences of the black women

I needed to see very particular images of blackness and womanhood that spoke to where I wanted to be

I desired to see imagery of bold Black women who are comfortable in just being as they are and are keen to explore their multiple interests and interactions in their everyday life

I hope that all of these things, these references, kind of help whomever that is engaging with the work to understand what the work is about and what time it is referencing

I wouldn’t say that the case of George Floyd has inspired an uncompromising horror rather it has inspired and evoked the need for change and yet again this state of equality

I’ve been thinking a lot about what happens to the work after they leave the studio. Is the intended narrative translated closer to what I wanted or does the work fail to translate its own meaning?

I sympathize with women, I sympathize with my mother and grandmother and I sympathize with myself

My initial approach was to paint resting women, always seated or reposed on loungers. This was my protest against the sea and notions that rest was taboo for black women

Attribution

Quotes and notes from Wikiquote: Zandile Tshabalala (page history), available under CC BY-SA 4.0.