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William Tenn Quotes
1920–2010 United States
William Tenn was the pseudonym of Philip Klass (May 9, 1920 – February 7, 2010), a British-born American science fiction author, notable for many stories with satirical elements.
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They are a highly individualistic people and still experience many frictions living in a centralized society. Despite several centuries of advanced civilization, most Gtetans look upon the Law as a delightful problem in circumvention rather than as a way of life.
The Human Angle (1956)
“Size, power, numbers—since the beginning of time, those three have been trying to correlate with right and wrong. So far, they haven’t succeeded.” Nodding, the Ambassador murmured, “Very true. But, on the other hand, they do exceedingly well with life and death.”
The Seven Sexes (1968)
The human mind is lit by an elemental sense of wonder, a probing, restless curiosity that is our primate heritage and that from its beginnings has sought a knowledge, some knowledge, of the future. To satisfy that need there has come into being a massive and thoroughly modern creation, science fiction, the literature of extrapolative, industrial man.
Of All Possible Worlds (1955)
“Take it easy, Fatty, and we'll be all right,” I told him with all the assurance of a bank robber trying to explain to the policeman who caught him that he was only trying to deposit his gun in the vault and the cashiers misunderstood him.
The Square Root of Man (1968)
That’s the big gimmick in this business—dressing it up so they can’t tell it’s the same thing they’ve been seeing since they got their first universal vaccination. If you dress it up enough, the sticks will always go nuts over it. Maybe the critics will make cracks, sure, but who reads the critics?
The Seven Sexes (1968)
“They said you treated them very well, that you showed them as much respect as a thing like you could generate. They also said you cheated them.” “Oh, well, Theseus,” Hebster spread his manicured hands. “I’m a businessman.”
Time in Advance (1958)
And there, right there, is the area in which science fiction leads the literary side of its life. It is the job of the science-fiction writer to take the utterly fantastic, if need be, and make it seem as real as a copy of today's tabloid newspaper folded to the sports section. To the extent that he succeeds in this he is a good science-fiction writer, and to the extent that he fails to make the story believable he is a bad one, be it ever so full of faster-than-light gimmicks and futuristic individuals with triple brains and mechanical genitalia.
Of All Possible Worlds (1955)
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