17 quotes
The male has a negative Midas Touch - everything he touches turns to shit.
SCUM MANIFESTO (1967)
In actual fact, the female function is to explore, discover, invent, solve problems crack jokes, make music - all with love. In other words, create a magic world.
SCUM MANIFESTO (1967)
The male claim that females find fulfillment through motherhood and sexuality reflects what males think they'd find fulfilling if they were female.
SCUM MANIFESTO (1967)
To call a man an animal is to flatter him; he's a machine, a walking dildo. It's often said that men use women. Use them for what? Surely not pleasure.
SCUM MANIFESTO (1967)
The male is just a bundle of conditioned reflexes, is incapable of a mentally free response, is tied to his early conditioning, is determined completely by his past experiences. His earliest experiences are with his mother, and he is throughout his life tied to her. It never becomes completely clear to the male that he is not part of his mother, that he is him and she is her.
SCUM MANIFESTO (1967)
This job offers broad opportunity for travel—around and around and around the block. And to think—some girls settle for Europe.
A Young Girl's Primer (1966)
That's conversation. I charge six bucks an hour for that.
A Young Girl's Primer (1966)
Sex is the refuge of the mindless. And the more mindless the woman, the more deeply embedded in the male "culture," in short, the nicer she is, the more sexual she is. The nicest women in our "society" are raving sex maniacs.
SCUM MANIFESTO (1967)
It is now technically feasible to reproduce without the aid of males (or, for that matter, females) and to produce only females. We must begin immediately to do so. Retaining the male has not even the dubious purpose of reproduction.
SCUM MANIFESTO (1967)
To be sure he's a "Man," the male must see to it that the female be clearly a "Woman," the opposite of a "Man," that is, the female must act like a faggot. And Daddy's Girl, all of whose female instincts were tromped out of her when little, easily and obligingly adapts herself to the role.
SCUM MANIFESTO (1967)
He ["the male"] is trapped in a twilight zone halfway between humans and apes, and is far worse off than apes, because he is, first of all, capable of a large array of negative feelings that the apes aren't - hate, jealousy, contempt, disgust, guilt, shame, disgrace, doubt - and, secondly, he is aware of what he is and isn't.
SCUM MANIFESTO (1967)
Love can't flourish in a "society" based on money and meaningless work, but rather requires complete economic, as well as personal, freedom, leisure time and the opportunity to engage in intensely absorbing, emotionally satisfying activities which, when shared with those you respect, lead to deep friendship, but which our "society" provides practically no opportunity to engage in.
SCUM MANIFESTO (1967)
The male dares to be different to the degree that he accepts his passivity and his desire to be female, his fagginess. The farthest out male is the dragqueen, but he, although different from most men, is exactly like all other dragqueens; like the functionalist, he has an identity - a female; he tries to define all his troubles away - but still no individuality. Not completely convinced that he's a woman, highly insecure about being sufficiently female, he conforms compulsively to the man-made feminine stereotype, ending up as nothing but a bundle of stilted mannerisms.
SCUM MANIFESTO (1967)
Love is not dependency or sex, but is friendship, and, therefore, love can't exist between two males, between a male and a female or between two females, one or both of whom is a mindless, insecure, pandering male; like conversation it can exist only between two secure, free-wheeling, independent, groovy female females, as friendship is based on [respect, not contempt.]
SCUM MANIFESTO (1967)
Our "society" is not a community, but merely a collection of isolated family units. Desperately insecure, fearing his woman will leave him if she's exposed to other men or to anything remotely resembling life, the male seeks to isolate her from other men and from what little civilization there is, so he moves her out to the suburbs, a collection of self-absorbed couples and their kids. Isolation, further, enables him to try to maintain his pretense of being an individual by being a "rugged individualist", a loner, equating non-co-operation and solitariness with individuality.
SCUM MANIFESTO (1967)
p. 2 ("peice" so in original, probably intended as "piece").
SCUM MANIFESTO (1967)
Although wanting to be an individual, the male is scared of anything about him that's the slightest bit different from other men; it causes him to suspect he's not really a "Man," that he's passive and totally sexual, a highly upsetting suspicion. If other men are A and he's not, he must be not a man; he must be a fag. So he tries to affirm his "Manhood" by being like all the other men. Differentness in other men, as well as in himself, threatens him; it means they're fags, who he must, at all costs, avoid, so he tries to ensure that all other men conform.
SCUM MANIFESTO (1967)