34 quotes
The aim is not to give human beings real goals that warrant belief, and tasks to share in, but to re-establish “belonging,” although this kind of speech and thought is precisely calculated to avoid contact and so makes belonging impossible.
Growing Up Absurd (1956)
A well-known magazine asks a man how they should refer to him, as Psychologist X, as Author X? He suggests man of letters, for that is what he is, in the eighteenth-century meaning. But they can’t buy that because the word doesn’t exist in Time-style; he cannot be that, and presumably the old function of letters cannot exist.
Growing Up Absurd (1956)
Nothing could be more stupid than for the communications commission to give to people who handle the means of broadcasting the inventing of what to broadcast, and then, disturbed at the poor quality, to worry about censorship.
Growing Up Absurd (1956)
When we choose a man to beautify our towns, we do not automatically call on the major artists of the world. … We now lavishly praise Frank Lloyd Wright, but we never made any community use of him, though he longed for the chance.
Growing Up Absurd (1956)
To consider powerful souls as if they were a useful public resource is quite foreign to our customs. In a small sense it is undemocratic, for it assumes that some people really know better in a way that must seem arbitrary to most. In a large sense it is certainly democratic, in that it makes the great man serve as a man.
Growing Up Absurd (1956)
I read Goodman and Kropotkin and Emma and the rest, and finally found a politics I liked. But then I had to integrate these political ideas, which I'd formulated over a good year's reading, into a novel, a utopia. The whole process took quite a while, as you might imagine, and there were hundreds of little details that never found their way into the novel.
The ideal of having a real job that you risk your soul in and make good or be damned, belongs to the heroic age of capitalist enterprise, imbued with self-righteous beliefs about hard work, thrift, and public morals. Such an ideal might still have been mentioned in public fifty years ago; in our era of risk-insured semimonopolies and advertised vices it would be met with a ghastly stillness.
Growing Up Absurd (1956)
To want a job that exercises a man’s capacities in an enterprise useful to society, is utopian anarcho-syndicalism; it is labor invading the domain of management. No labor leader has entertained such a thought in our generation. Management has the “sole prerogative” to determine the products.
Growing Up Absurd (1956)
Odonanism is roughly identifiable with anarchism. I think it is a fairly identifiable form of the anarchist lineage of Kropotkin, Emma Goldman and, to a large extent, Paul Goodman. It's pacifist anarchism, an identifiable tradition, not Bakhunism. It's just that nobody else had ever used it for fiction-it seemed such a pity.
Can they solve the problem of the nagging unanswerable question of justification and vocation? Their principle is the traditional one of classical mysticism: by “experiences” (“kicks”) to transcend the nagged and nagging self altogether and get out of one’s skin, to where no questions are asked—nor is there any articulate speech to ask them in.
Growing Up Absurd (1956)
The “brightness” of the 15 percent might or might not indicate a profound feeling for the causes of things; it is largely verbal and symbol-manipulating, and is almost certainly partly an obsessional device not to know and touch risky matter, just as Freud long ago pointed out that the nagging questions of small children are a substitute for asking the forbidden questions.
Growing Up Absurd (1956)
Freud pointed out, in his Problem of Lay Analysis, that it is extremely unlikely that a young man who would throw the best years of his life into the cloistered drudgery of getting an M.D. degree, could possibly make a good psychoanalyst; so he preferred to look for young analysts among the writers, the lawyers, the mothers of families, those who had chosen human contact. But in their economic wisdom, the Psychoanalytic Institute of Vienna (and New York) overruled him.
Growing Up Absurd (1956)
An awkward consequence of heightening experience when one is inexperienced, of self-transcendence when one has not much world to lose, is that afterward one cannot be sure that one was somewhere or had newly experienced anything. If you aren’t much in the world, how do you know you are “out of this world”?
Growing Up Absurd (1956)
This I did with all my will and apparently indefatigably (but I will one day drop with weariness)—I invented a different practical world that made no sense and took the heart out of me. Instead of resigning, I reacted, in moments of despair, by thinking up something else, and behaving as if this more pleasing landscape might indeed come to be the case.
Making Do (1963)