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Norman Lindsay Quotes
1879–1969 Australia
Norman Alfred William Lindsay (22 February 1879 – 21 November 1969) was an Australian artist, etcher, sculptor, writer, art critic, novelist, cartoonist and amateur boxer. One of the most prolific and popular Australian artists of his generation, Lindsay attracted both acclaim and controversy for his works, many of which infused the Australian landscape with erotic pagan elements and were deemed by his critics to be ungodly and degenerate.
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32 quotes
[N]o statement of a value in Art can have authority till the Art itself has forced that valuation on Life.
"Very well sung, Albert," said Bill encouragingly, "though you're a trifle husky in your undertones, which is no doubt due to the gravy in your innards."
The Magic Pudding (1918)
After that they had boiled jam roll and apple dumpling, as the fancy took them, for if you wanted a change of food from the Puddin', all you had to do was to whistle twice and turn the basin round.
The Magic Pudding (1918)
If there is any man today who believes that the object of the eternal struggle for existence will evolve a higher type, an aristocracy of class, nation or race, that man has failed to read the history of mankind. In other words, he is a hopeless optimist.
Oh, no, no, no! Couldn't think of it. It's a very dangerous book. Had a very bad influence.
It has been, up to this, Britain’s job to push civilized conditions into the earth’s crude spaces, and a lot of wowseristic Bible-thumping Boer farmers were only obstructing a Roman occupation of the earth’s surface.
O Caribbee! O Barbaree! O shores of South Amerikee! O, never go there: if the truth be told, You'll get more kicks than Spanish gold.
The Magic Pudding (1918)
O, who would be a puddin', A puddin' in a pot, A puddin' which is stood on A fire which is hot? O sad indeed the lot Of puddin's in a pot.
The Magic Pudding (1918)
It is essential to effort that existence should be hard, painful and uncertain. It is essential that the struggle should endure, for it is by the struggle man develops. If it ceased, and life became perfect — effort would cease; Life would cease. For Life is effort.
Whiskers alone are bad enough Attached to faces coarse and rough But how much greater their offence is When stuck on Uncles' countenances
The Magic Pudding (1918)
The moral value of the Image in Art must consist in its power to arouse a conviction of Beauty. If a conviction of Beauty is aroused, all images of Passion and Action allied to it will become vitalized. Vitality in a work of Art thus becomes a communicable element in mind, and so fulfils its function of stimulating vitality in Life.
One was a Possum, with one of those sharp, snooting, snouting sort of faces, and the other was a bulbous, boozy-looking Wombat in an old long-tailed coat, and a hat that marked him down as a man you couldn't trust in the fowl-yard.
The Magic Pudding (1918)
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