Most marriages recognize this paradox: Passion destroys passion; we want what puts an end to wanting what we want. The Aristos (1964)
Since the advent of atomic weapons it is clear that what matters militarily is not numbers but know-how; this situation was apparent as soon as the first machine gun was invented. The Aristos (1964)
The genius, of course, is largely indifferent to contemporary success; and his commitment to his ideals, both artistic and political, is profoundly, Byronically, indifferent to their contemporary popularity. The Aristos (1964)
The artefacts of a genius are distinguished by rich human content, for which he forges new images and new techniques, creates new styles. He sees himself as a unique eruption in the desert of the banal. The Aristos (1964)