We never get accustomed to being less important to other people than they are to us — Martins felt the little jab of dispensability. The Third Man (1949)
The hands of the guilty don't necessarily tremble; only in stories does a dropped glass betray agitation. Tension is more often shown in the studied action. The Third Man (1949)
No danger anywhere, it seemed to Rollo Martins of that sudden reckless moment when the scent of hair or a hand against the side alters life. The Third Man (1949)