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Berthe Morisot Quotes
1841–1895 France
Berthe Marie Pauline Morisot (14 January, 1841 – 2 March, 1895) was a French painter and a member of the circle of painters in Paris who became known as the Impressionists. Undervalued for over a century, possibly because she was a woman, she is now considered among the first league of Impressionist painters.
Random Berthe Morisot quote
24 quotes
There is constant sun, good weather all the time, the ocean like a slab of slate - there is nothing less picturesque than this combination.
My ambition is limited to capturing something transient.
I do not think any man would ever treat a woman as his equal, and it is all I ask because I know my worth.
..the glimpse of the dome of St. Paul's through the forest of yellow masts, the whole thing bathed in a golden haze.
His [ Edouard Manet's] paintings, as they always do, produce the impression of a wild or even a somewhat unripe fruit. I do not in the least dislike them.
..scumbled froth.. ..capable of indicating a mouth, eyes, a nose with a single stroke of the brush, the rest of the face modeled by the perfect accuracy of these indications.
Your phrase: 'I am working hard at growing old', is absolutely me. What if you were always to speak in my place..
Music and painting should never be literary, a very subtle distinction according to Renoir. As soon as I try to represent an individual, their physiognomy and attitudes, I become a literary artist.
I am keen to earn some money.. ..beginning to lose all hope.. .What I see most clearly is that my situation in impossible from every point of view.
Would you do us the great favour, you and Mademoiselle Geneviève, of coming to dine next Thursday? Monet will be there, Renoir also..
Corot spoiled the 'étude' [sketch] we admired so much when we saw it at his home, by redoing it in the studio.
It seems to me a painting [she is working on] like the one I gave Manet ['The Harbour at Lorient'] could perhaps sell, and that is all I care about.
Corot spoiled the 'étude' [study] we admired so much when we saw it at his home, by redoing it in the studio.
It is odd that Edouard [Manet] with his reputation as an innovator, who has survived such storms of criticism, should suddenly be seen as a classicist. It just proves the imbecility of the public, for he has always been a classic painter.
I say, 'I should like to die', but that's not true at all, I should like to get younger.. ..youth and old age are similar in more ways than one, and they are the two moments in life when one can feel one's own soul which would be a proof that it exists.
I can not get over everything you did for me in that first day [for his support to hang her works on the 7th Impressionist exhibition, Spring 1882], it seems to me that you are working yourself to death, and all on my account. This touches me deeply and vexes me at the same time.
The love of art.. ..reconciles us to our lined faces and white hear. [Berthe Morisot was 40 years then]
I have found an honest and excellent man [ Eugène Manet, brother of Edouard Manet ] who, I believe, sincerely loves me. I have entered into the positive life after having lived for a long time in by chimeras.
He [ Manet ] begged me to go straight up and see his painting [ 'Le Balcon'] - Berthe was model for this painting], as he was rooted to the spot. I've never seen anyone in such a state, one minute he was laughing, the next insisting his picture was dreadful; in the next breath, sure it would be a huge success.
The tall fellow Bazille has done something I find quite fine: a young girl [in his painting 'View on the village' ] in a very light dress in the shadow of a tree beyond which one sees a town. There is a good deal of light, sunlight, He is trying to do what we [Berthe and her sister Edma] have so often tried to bring off: to paint a figure in the open air. This time I think he has succeed.
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